㈠ 推薦幾部經典的英文短篇小說名字及其網址 可免費在線看的
英語小說在線閱讀：Peter
and
Wendy[雲南外語網]
http://www.ynenglish.com/Article/EnglishCourse/ReadingCourse/245_625620070208230800.shtml
英國作家羅爾德達爾的專小說，《羊腿屬》。
㈡ 有哪些好看的短篇英文小說
世界三大短篇小說之王
莫泊桑、契訶夫和歐~亨利
莫泊桑（Maupassant1850～1893）19世紀後半期法國優秀的批判現實主義作家。年僅43年生命歷程竟創作了6部長篇小說和356多篇中短篇小說，莫泊桑短篇小說布局結構精巧合理。典型細節選用真實可信、敘事抒情的手法如行雲流水，充分體現了這種的文學傳統。莫泊桑的最出色的短篇代表作是《羊脂球》。《項鏈》、《我的叔叔於勒》；其作品在我國影響很大，近幾年來，一直被作為中學生必課的文學作品.
歐~亨利（1862～1910）善於描寫美國社會尤其是紐約百姓的生活。他的作品構思新穎，語言詼諧，結局常常出人意外；歐~亨利一生創作了270多個短篇小說和一部長篇小說，還有數量很少的詩歌他頗善情節設計，處處留下玄機，結局常常以出人意料出外而收場。讀後使人不禁使人豁然開朗，拍案叫絕,被稱為"歐~亨利式結尾".又因描寫了眾多的人物，富於生活情趣，被譽為「美國生活的幽默網路全書」.黑色幽默,「含淚水的微笑」。代表作有《愛的犧牲》、《警察與贊美詩》、《帶傢具出租的房間》、《麥琪的禮物》、《最後一片葉子》等.
契訶夫（1860-1904）他常以十九世界俄國社會中所常見的凡人小事為素材，用語言簡練、諷刺尖刻筆觸描寫小人物和知識分子兩類人的命運。代表作有《小職員之死》《變色龍》。《套中人》等。契河夫是19世紀末俄國偉大的劇作家和短篇小說家，俄國現實主義文學流派的傑出代表
其他的有:
茨威格短篇小說集
馬克.吐溫短篇小說集
竊賊(阿·康帕尼爾)
情書(岩井俊二)
永遠佔有(格雷厄姆·格林)
化石街(島田莊司)
棋逢對手(西瑞爾·哈爾)
首領(卡拉維洛夫)
熱愛生命(傑克·倫敦)
螞蟻 (博里斯·維昂)
蠢豬 (馬萊巴)
品酒 (羅·達爾)
打不碎的雞蛋 (馬萊巴)
勞駕，快點！(圖戈依)
品酒 (羅·達爾)
㈢ 感人的英文短篇小說
第一節；在一個孤獨的小島上，葉子慌亂地奔跑著。 一個面目不清的男人在後面緊緊追著她，好幾次那男人似乎一伸手就能捉住她了。
葉子沒命地跑，然而總是跑不快，雙腳好象是灌滿了鉛一樣沉。
葉子想呼叫，卻叫不出聲。葉子已經跑不動了，而且在她面前是一片汪洋，她無處可逃。
葉子癱瘓在地上，她驚恐地回過頭，卻不見了那個男人。她剛吁了一口氣，卻發現一條渾身血紅的蛇正在向她爬來。
葉子掙扎著要逃，卻怎麼都站不起來。而且她發現，不知什麼時候她已經變得赤身裸體的了！
血紅的蛇昂著血紅的頭向她爬來，葉子絕望地閉上了眼睛。
然而，血紅的蛇並沒咬她，而是順著她的腳往上爬。她感到蛇身的圓潤滑爽，觸在她小腿的肌膚上，竟有一種莫名的快意。血紅的蛇還在往上爬，經過她的大腿時，她甚至感覺到了一種似曾相識的溫潤。
那高昂的血紅的蛇頭注視著她，似乎在做進攻前的准備。
葉子忽然想起什麼，急忙用雙手捂住下身。
那血紅的蛇頭猶豫了一下，突然迅猛地直插了過來，從她的手指間順利地進入了她的身體！
葉子失聲尖叫起來！
葉子終於從夢境中驚醒了過來，小夜燈粉色的光溫柔地充滿卧室的空間。她伸手開了床頭燈。這時，她感覺到了身體某個地方的濕潤。
她不明白最近為什麼總在做這些離奇古怪的夢，而每次做夢總和她的身體有關…… 一場突如其來的大雨，把這座城市籠罩在了昏暗的雨霧中。
葉子站在中天大廈最高一層的落地玻璃窗前，看著雨水順著玻璃不停地向下流淌，彷彿是千萬條懸空的小溪。
因為加班趕一份文案，葉子沒能按時下班趕在大雨到來之前回去。雖然，在下班前就已經預見這場大雨。所以當同事們尤其是那些女孩子在下班前幾分鍾，就在嚷嚷著呼朋喚友地准備逃離寫字樓時，葉子仍然埋頭在電腦前，不為所動。
葉子覺得下雨沒什麼可怕的，相反倒是給人一種清新的空氣。大雨洗滌過的城市特別干凈，就連樹木花草都顯得格外清新。怕下雨的不過是那些故作嬌柔的女孩子的一種作態罷了。
但當她終於把手頭的工作做完時，她才發現，這場大雨沒她想的那麼簡單。從下班前幾分鍾就一直下到現在，而且絲毫沒有要停下來的意思。
剛開始，葉子還心情很好地站在窗前居高臨下地欣賞雨景。然而，隨著時間的推移，她看到大雨一點也沒有變小，她開始有點心急了。而且，大廈管理員已經第三次敲她的門，示意她大廈要清場了。
葉子不得不離開寫字樓，下到樓底站在大廈的門廊，雨勢還是沒有減退。
大街上幾乎沒有行人，只有各種各樣的車輛在雨幕中穿梭，飛馳的車輪濺起兩扇白色的水花。
也許天黑這雨也停不了，葉子開始有點著急起來。她住在郊外的鳴泉山莊，過了八點就沒有專線車了。打計程車至少要花七、八十元錢，這是她一天的工資了。而且這大雨天，計程車也不是那麼好打的。一想到這，一向沉靜的葉子不由得也急躁起來，不時四處張望著，希望能有空的計程車從這里經過，但很快她就氣餒了，因為這么長的時間，她沒有看到一輛計程車是空的。
葉子心一急，就不停地原地踏步。恍惚中她感覺到好像有人在注意她。她回過頭，果然離她不遠的地方，站著一個四十歲左右的男人，正注視著她，而且那目光中分明含有一種輕薄的成分。
男人，尤其是這種年齡的男人，在看年輕漂亮的女孩子時，都用這種目光，那是一種恨不得馬上扒掉別人衣服的目光，陰郁曖昧而充滿慾望。
葉子厭惡地把臉轉過一邊，對這種男人，她心裡充滿了鄙視和厭惡。
一輛白色的別克轎車駛來，停在了門廊前。那男人走過來打開車門上了車，坐在車上，他朝葉子笑了笑，說：「小姐，要不要送你？你看這雨下得好大的！」
從發現他的那時起，葉子就知道他會這么說。葉子心裡冷笑了一下，不理他。
那男人自討沒趣，只好尷尬地笑了笑關上了車門，轎車無聲地向前滑了出去。看著遠去的車尾，葉子突然感到自已剛才有點過分了，不管怎麼樣，出於禮節也應該對他說聲謝謝，或許人家真的是出於好心。葉子感覺到自已有點失態了。
都是這該死的雨！
忽然，那車又回來了，不過是亮著倒車燈倒回來的，一直倒到葉子的身邊才停下，車門打開，那男人下車遞給葉子一把雨傘，說：「小姐，這傘您先用著吧，這雨怕是一時半時停不了的。」
「這？」葉子幾乎是沒有猶豫就接過了傘，並對他連聲道謝。他笑了笑轉身上了車，關上了車門。
「哎，先生，這傘我怎麼還給你呀？」葉子追上前問。
「不用還了，送你用吧。」他欲搖上車窗。
「那怎麼行，先生，這傘我是一定要還給你的。」葉子說。
他沉吟了一下，遞給葉子一張名片說：「如果要還，你就打電話給我罷。」說完關上車窗走了。
「謝謝！」葉子沖著遠去的車喊道。 葉子終於趕上了末班專線車，回到鳴泉山莊時，天已經完全黑了下來。葉子順便在山莊街市吃了一碗面，就算吃了晚餐了。她到超市買了些水果就上樓了。
這兩居室是以月租一千元人民幣從一個姓楊的香港人手裡租下來的。鳴泉山莊因為遠離市區，交通不是很方便。因此住在這里的大都是有私家車的業主，他們大多數都是住在掬水灣別墅區。高層住宅區主要是一些在廣州打工的白領階層購買的。也有一部分是像楊先生那樣的香港人買了作為回內地時的歇腳點，他們當中更多的是作為和內地情人幽會用的。因為他們知道在大陸租房子和情人幽會，風險極高。不但手續繁瑣，光是那些名目繁多的檢查就讓人心驚肉跳。所以有點錢的香港人都喜歡買一套房子放在內地讓情人居住，自已則在周末和節假日回來幽會。畢竟是業主，沒有人會來麻煩。而更多的則是象葉子這樣的租住戶，雖然他們也算是白領，但屬於那種還沒有在廣州站穩腳跟的白領，和那些四處漂泊的民工不同的是，他們從事的工作相對來說比較體面，收入也比較高並且相對穩定。
在廣州，擁有一套屬於自已的房產，就等於在廣州市有了合法的身份。否則，就永遠是盲流和「三無人員」，面臨著隨時被罰款、拘留、送進收容站的危險。
㈣ 馬克吐溫的英文短篇小說【中英文版的最好】
《湯姆·索亞歷險記》和《哈克貝里·芬歷險記》英漢對譯，都是回長篇小說，答但可節選： http://www.wwenglish.com/en/z/n/novel/
㈤ 推薦一些英文短篇小說
相信你會喜歡這篇短小的小說的。
Appointment With Love －－By Sulamith Ish-Kishor
Six minutes to six, said the great round clock over the information booth in Grand Central Station. The tall young Army lieutenant who had just come from the direction of the tracks lifted his sunburned face, and his eyes narrowed to note the exact time. His heart was pounding with a beat that shocked him because he could not control it. In six minutes, he would see the woman who had filled such a special place in his life for the past 13 months, the woman he had never seen, yet whose written words had been with him and sustained him unfailingly.
He placed himself as close as he could to the information booth, just beyond the ring of people besieging the clerks...
Lieutenant Blandford remembered one night in particular, the worst of the fighting, when his plane had been caught in the midst of a pack of Zeros. He had seen the grinning face of one of the enemy pilots.
In one of his letters, he had confessed to her that he often felt fear, and only a few days before this battle, he had received her answer: "Of course you fear...all brave men do. Didn't King David know fear? That's why he wrote the 23rd Psalm. Next time you doubt yourself, I want you to hear my voice reciting to you: 'Yea, though I walk through the valley of the shadow of death, I shall fear no evil, for Thou art with me.'" And he had remembered; he had heard her imagined voice, and it had renewed his strength and skill.
Now he was going to hear her real voice. Four minutes to six. His face grew sharp.
Under the immense, starred roof, people were walking fast, like threads of color being woven into a gray web. A girl passed close to him, and Lieutenant Blandford started. She was wearing a red flower in her suit lapel, but it was a crimson sweet pea, not the little red rose they had agreed upon. Besides, this girl was too young, about 18, whereas Hollis Meynell had frankly told him she was 30. "Well, what of it?" he had answered. "I'm 32." He was 29.
His mind went back to that book - the book the Lord Himself must have put into his hands out of the hundreds of Army library books sent to the Florida training camp. Of Human Bondage, it was; and throughout the book were notes in a woman's writing. He had always hated that writing-in habit, but these remarks were different. He had never believed that a woman could see into a man's heart so tenderly, so understandingly. Her name was on the bookplate: Hollis Meynell. He had got hold of a New York City telephone book and found her address. He had written, she had answered. Next day he had been shipped out, but they had gone on writing.
For 13 months, she had faithfully replied, and more than replied. When his letters did not arrive she wrote anyway, and now he believed he loved her, and she loved him.
But she had refused all his pleas to send him her photograph. That seemed rather bad, of course. But she had explained: "If your feeling for me has any reality, any honest basis, what I look like won't matter. Suppose I'm beautiful. I'd always be haunted by the feeling that you had been taking a chance on just that, and that kind of love would disgust me. Suppose I'm plain (and you must admit that this is more likely). Then I'd always fear that you were going on writing to me only because you were lonely and had no one else. No, don't ask for my picture. When you come to New York, you shall see me and then you shall make your decision. Remember, both of us are free to stop or to go on after that - whichever we choose..."
One minute to six - Lieutenant Blandford's heart leaped higher than his plane had ever done.
A young woman was coming toward him. Her figure was long and slim; her blond hair lay back in curls from her delicate ears. Her eyes were blue as flowers, her lips and chin had a gentle firmness. In her pale green suit, she was like springtime come alive.
He started toward her, entirely forgetting to notice that she was wearing no rose, and as he moved, a small, provocative smile curved her lips.
"Going my way, soldier?" she murmured.
Uncontrollably, he made one step closer to her. Then he saw Hollis Meynell.
She was standing almost directly behind the girl, a woman well past 40, her graying hair tucked under a worn hat. She was more than plump; her thick-ankled feet were thrust into low-heeled shoes. But she wore a red rose in the rumpled lapel of her brown coat.
The girl in the green suit was walking quickly away.
Blandford felt as though he were being split in two, so keen was his desire to follow the girl, yet so deep was his longing for the woman whose spirit had truly companioned and upheld his own; and there she stood. Her pale, plump face was gentle and sensible; he could see that now. Her gray eyes had a warm, kindly twinkle.
Lieutenant Blandford did not hesitate. His fingers gripped the small worn, blue leather of Of Human Bondage, which was to identify him to her. This would not be love, but it would be something precious, something perhaps even rarer than love - a friendship for which he had been and must ever be grateful.
He squared his broad shoulders, saluted and held the book out toward the woman, although even while he spoke he felt shocked by the bitterness of his disappointment.
"I'm Lieutenant John Blandford, and you - you are Miss Meynell. I'm so glad you could meet me. May...may I take you to dinner?"
The woman's face broadened in a tolerant smile. "I don't know what this is all about, son," she answered. "That young lady in the green suit - the one who just went by - begged me to wear this rose on my coat. And she said that if you asked me to go out with you, I should tell you that she's waiting for you in that big restaurant across the street. She said it was some kind of a test. I've got two boys with Uncle Sam myself, so I didn't mind to oblige you."
㈥ 有哪些好看的英文短篇小說
羊脂球，湯姆索亞歷險記，包法利夫人。
㈦ 推薦沒有翻譯過的英文短篇小說
狄更復斯的《霧都孤兒》這部短制篇挺適合初學者的，還有馬克·吐溫的《哈利貝克·費恩歷險記》、《湯姆·索亞歷險記》，這幾本短篇都容易找到英文版的，稍微有點格調的書店也有賣。此外JK·羅琳的《哈利波特》系列，對於高中生也是能看懂的，並沒有太多的難點單詞，另外，泰戈爾的《飛鳥集》也是可以嘗試著看看，感受下英文詩歌的意境和詞語用法。
㈧ 介紹幾部經典英文短篇小說
《歐亨利短篇小說精選》歐·亨利最優秀的多篇短篇小說代表作，如《麥琪版的禮物》、《警察權和贊美詩》、《最後一片常春藤葉》、《帶傢具出租的房問》等。這些作品膾灸人口，經久不衰。歐·亨利是美國最著名的短篇小說家之一。他的作品構思新穎。語言詼諧，富於生活情趣，結局常常出人意外，善於描寫美國社會尤其是紐約百姓的生活，堪稱「美國生活的幽默網路全書」。
㈨ 有什麼英語短篇小說推薦
1. 「A Good Man is Hard to Find,」 Flannery O』Connor
Few short stories have stuck with us as much as this one, which is probably O'Connor's most famous work — and with good reason. The Misfit is one of the most alarming serial killers we've ever met, all the more so for his politeness, and the story』s moral is so striking and terrifying that — whether you subscribe to the religious undertones or not — a reader is likely to finish and begin to reexamine their entire existence. Or at least we did, the first time we read it.
《好人難尋》這篇小說是奧康納最為著名的作品，很少有其他短篇小說能像這篇一樣給我們帶來震撼。無論你是否能明了宗教般的潛在含義，看完這篇小說讀者都會開始或是結束對存在的檢視。
2. 「The School,」 Donald Barthelme
This story is very short, but pretty much perfect in every way. Though Barthelme is known for his playful, post modern style, we admire him for his ability to shape a world so clearly from so few words, chosen expertly. Barthelme never over explains, never uses one syllable too many, but effortlessly leads the reader right where he wants her to be. It's funny, it's absurdist, it's sad, it's enormous even in its smallness. It may be this writer』s favorite story of all time. You should read it.
這篇小說很短，但是堪稱完美。巴塞爾姆的優秀就在於他能用精選的極少幾個文字就為我們敘述了一個世界。他很少過多地解釋，就把讀者帶到了他想要你去地方。
3. 「In The Penal Colony,」 Franz Kafka
Kafka called this one his「dirty story,」and thought it imperfect, but it's one of our favorites of his (though we also recommend 「The Hunger Artist」and「A Country Doctor」). It's so obviously a story about writing, in some ultimate way — a machine punishes its victims by writing on them over and over until their bodies give out — but its as if, while the body is the source of every problem in the tale, every weakness, it is also the only place where true knowledge can be translated.
卡夫卡稱自己的這篇小說是一個「很臟的故事」，認為並不完美，但是這個短篇確實我們的最愛之一。在小說中，我們可以體會到，身體是一切問題和弱點的根源，但身體也是唯一能轉化真知的地方。
4. 「Signs and Symbols,」Vladimir Nabokov
Another short one, we revere this story for its ability to turn every tiny detail into a portentous disaster, not to mention the fact that it's penned in Nabokov's effortlessly gorgeous, silvery prose. An old Jewish couple goes to visit their son in the mental hospital, only to be turned away because he has attempted to kill himself. And that's it, really. They go home and look though a photo album, eat some jam. The phonerings. But the whole thing is, perhaps, both a comment on the nature of insanity and the nature of the short story itself, with all its rules and strangeness and banality. And all its symbols, of course.
我們喜歡這篇小說的原因就在於，這個故事有能力把每個細微的細節瞬間變為一場災難，而Nabokov在寫這篇小說用的是輕松華麗水銀瀉地般的散文風格。
5. 「Gooseberries,」 Anton Chekhov
Chekhov's stories are indisputably among the greats, and this one, written rather late, is one of our favorites. Chekhov probes at both the frailty and the worth of humanity, not to mention the natureof life, both for the fortunate and the unfortunate. But like most of Chekhov's stories, there's no clear moral, there's no obvious takeaway. Some men sit around and discuss their thoughts, and we listen, mulling over the subtleties for ourselves.
契科夫的小說無疑是最偉大的作品之一，而這篇是我們的最愛。這篇小說像他的其他小說一樣，沒有清晰的道德標准，我們只是靜靜地看著幾個人圍坐著，討論他們的思想。
6. 「Sea Oak,」 George Saunders
「Sea Oak」 is Saunders's favorite of his own stories, we've heard, so because we find it so hard to choose among them, we've included it here on his own recommendation. Absurdist and satirical, and including at least one zombie shouting at her housemates to get laid, it's a weird one. But it's also concerned with placelessness, with family, with poverty, and like all of Saunders's stories, has a good, thumping heart under all that darkness and fun-poking.
這部小說是桑德斯最為喜愛的一步短篇，這也是我們聽說的。因為我們很難做出選擇，因此就把他自己的推介放在了這里。這部小說充滿了荒誕和諷刺，但是也關心家庭和貧窮等問題。像他的其他小說一樣，在黑暗和取笑中，也暗含著美好和快樂。
7. 「The Ones Who Walk Away From Omelas,」 Ursula K. LeGuin
LeGuin's parabolic tale, which won the Hugo Award for best short story in 1974, is a weird, spacious story about a city that seems to be a utopia — except for its one flaw, the single child that must always be kept in darkness and wretched misery so that the others may all live happily. Most of the citizens eventually accept this, but some do not, and silently leave the city, vanishing into the world around. Strange but pointed, Le Guin is a master of her genre.
勒古這部寓言般的短篇小說獲得過1974年的「雨果獎」，是關於一個類似烏托邦的城市的荒誕又宏大的故事。
8. 「The Veldt,」 Ray Bradbury
This tale, from one of the greatest science fiction writers in history, is deliciously wicked. Though it was written in 1950, this kind of story — of children driven mad by want, of technology turning on its masters — will never get old. Until technology actually turns on us, that is. Then we probably won't want to hear about it.
布萊伯利作為歷史上最富盛名的科幻小說家，這篇小說也是通過精心編寫的。
9. 「The Bear Came Over the Mountain,」 Alice Munro
The undisputed queen of the short story, Alice Munro』s work is stark and often heartbreakingly raw, and this story of memory loss and the aching tenderness of human interaction is no different. Fun fact: this story was adapted into the film 「Away from Her」, starring Julie Christie and Gordon Pinsent.
門羅是毫無爭議的短篇小說女王，她的作品有一種朴實風格，常常帶著心跳般的粗獷，這篇關於喪失記憶以及人類互動中的痛苦和柔弱的小說也不例外。
10. 「The Nose,」 Nikolai Gogol
Gogol might be the oldest writer on this list, but he』s also one of the weirdest — in a good way. Nabokov once wrote, 「In Gogol…the absurd central character belongs to the absurd world around him but, pathetically and tragically, attempts to struggle out of it into the world of humans — and dies in despair.」 What else can an absurd noseless man do, after all?
果戈里應該是這個書單上最久遠的作家了，但是他也是最荒誕的小說家之一。納博科夫曾近這樣寫道：「在果戈里的作品中，荒誕的人物屬於他周圍荒誕的世界，但是卻可憐兮兮且悲慘地要逃離他的世界，最終死於絕望」。