短篇小說英文怎麼說

❶ 短篇小說用英語怎麼說 愛詞霸

親，直接到愛詞霸網站查一下就知道啦，還有各種例句和用法呢~！http://www.iciba.com/%E7%9F%AD%E7%AF%87%E5%B0%8F%E8%AF%B4?renovate=767316

❷ 短篇小說集用英語怎麼說 用collection這個單詞 機器翻譯別來

short story collections.

❸ 經典短篇英文小說

經典短篇小說好多呢！用詞比較簡單，但意義深刻！更重要的是每一篇都短小精悍！（符合你的要求哦）
1.《生火》傑克.倫敦 To Build a Fire (Jack LondonP
2.《厄謝爾府的倒塌》 愛倫.坡
The Fall of the House of Usher (Edgar Allan Poe)
3.《項鏈》莫泊桑 The Necklace (Guy de Maupassant)
4.《警察與贊美詩》歐.亨利 The Cop and the Anthem
(O Henry)
5.《麥琪的禮物》歐.亨利 Magi's gift (O Henry)
6.《最後一片藤葉》歐.亨利 The Last Leaf (O Henry)
7.《加利維拉縣有名的跳蛙》馬克.吐溫 The Notorious Jumping Frog of Calaveras County
（Mark Twain)
8.《人生的五種恩賜》馬克.吐溫
The Five Boons of Life （Mark Twain)
9.《三生客》 托馬斯.哈代 The Three Strangers
(Thomas Hardy)
10.《敞開的落地窗》薩基 The Open Window (Saki)
11.《末代佳人》菲茨傑拉德 The Last of the Belles
(F.S.Fitzgerald)
12.《手》舍伍德.安德森 Hands
13.《伊芙琳》詹姆斯.喬伊斯 Eveline
14.《教長的黑色面紗》納撒尼爾.霍桑

❹ 短篇小說家的英文怎麼說

a short story writer最簡單直接的翻譯
Short storyteller這種好像也是

❺ 英文短篇小說

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❻ 長篇小說，中篇小說，短篇小說用英語怎麼說

長篇小說, river novel n. 長篇小說;
中篇小說,novelle n. 中篇小說( novella的名詞復數 );
短篇小說 short story

❼ 求英語短篇小說

好詞佳句：
1.It's my pleasure having you here!(能邀請到你真是太榮幸了）
2.You did a good job!(你幹得很好）
3.I will make it up to you.(我會補償你的）
4.I couldn't agree more!(我完全同意）

It was the day before Easter and Peter Cottontail was very busy.As the Chief Easter Bunny,it was his job to hide all the eggs for all the Easter egg hunts around the world.
時間是復活節之前，皮特很忙。作為主要的復活節兔子，他的工作是將所有的為全世界復活節狩獵所需要的蛋藏起來。
Peter wanted to be sure that he had enough of the beautifully colored eggs for everyone.So he was counting them all.But he kept getting distracted and losing count.
皮特想確定他有充足的為復活節而准備的美麗的彩蛋。所以他正在把它們都數一數。但是他一直分神而忘了數的數字。
First,Peter thought he heard the meow of one little kitten.But he didn't see a kitten.Next he thought he heard two meows from two kittens,but he still didn't see anything.
Then Peter thought he heard three meows from three little kittens.
"Maybe they're outside,"thought Peter.So,he opened the door and sure engough...
開始，皮特想他聽到了一隻小貓的叫聲。但是他看不見一隻小貓。接著他想他聽到了兩只小貓的聲音，但是他依然什麼都看不見。
然後皮特想他看見了三隻小貓的聲音。
「也許他們在外面，」皮特想。所以他打開門來看個清楚...
There sat three unhappy,little kittens.Peter asked them what was wrong.
"We were playing hide-and-seek with our mitten*,"**plained the kittens."We are very good at hiding,but we are not very good at seeking.And now our mittens are lost."
"If you help me count my eggs,then I can help you find your mittens,"Peter told them.
The three little kittens were so happy that they began to dance and sing.
那裡坐著三隻不愉快的小貓。皮特問他們有什麼麻煩。
「我們用我們的拳擊手套玩了『藏了找』的游戲，」小貓們解釋。「我們擅長藏，但是我們不擅長找。現在我們的拳擊手套找不到了。」
「假如你們幫助我數我的蛋，然後我就能夠幫助你們找到你們的拳擊手套，」皮特告訴他們。
那三隻小貓如此地高興以致他們又跳舞又唱歌。
Everyone went into the house and,one-two-three,they counted all the eggs.There were enough eggs for everyone and even three too many.
"Great!"said Peter."It's good to have extra eggs,just in case any break.Now let's find your mittens."
Off went Peter Cottontail and the three little kittens,with Peter Cottontail hopping big-bunny hops and the kittens racing along to keep up.
每個人都進入屋子，一、二、三，他們數了所有的蛋。為每個人准備的蛋是充足的，甚至還多出了三個。
「太好了！」皮特說。「有多餘的蛋很好，恰好預防破蛋的情況。現在讓我們來找你的拳擊手套。」
皮特和三隻小貓走出去，皮特跳著大兔步，而三隻小貓則跑在後面跟著他。
First,they passed a house made of straw-but no one was there.
Next they passed a house made of sticks.No one was home there either.
Finally,they came to a very nice house made of bricks.
Peter and the three kittens knocked on the door of the pretty brick brick.Soon,three little pigs came out to meet them.
"Welcome!Welcome!"said the three little pigs."We are so glad to have visitors.The Big Bad Wolf chased all our friends away and no one visit us anymore.Won't you come in for a while?"
首先，他們經過了一個由稻草製成的房子，但是每人在家。
接著他們來到一個有樹枝做成的房子，也沒人在家。
最後他們來到一個由磚頭製成的房子。
皮特和三隻小貓敲打那個精美的小屋的門。不久，三隻小豬出來迎接他們。
「歡迎！歡迎！」三隻小豬說。「我們很高興有人來拜訪我們。大壞狼趕走了我們的所有的朋友，再也沒人來拜訪我們了。你們不進來呆一會嗎？」
Peter and the kitten* **plained that they were looking for the kittens' lost mittens.This made the kittens so sad that they began to cry.
"Don't cry,little kittens,"said the three pigs."We haven't see any mittens,but you are welcome to look around."
So everyone looked,but they didn't find the kitten's mittens.
皮特和三個小貓解釋他們在尋找小貓丟失的拳擊手套。這件事讓小貓們哭了起來。
「不要哭，小貓，」三隻小豬說，「我們沒有看見什麼拳擊手套。但是歡迎你們在附近找找。」
所以每個人一起看了看，但是他們沒有發現小貓的拳擊手套。
"You should ask Humpty Dumpty,"suggested the three little pigs."He sits so high up on his wall that he sees everything.Maybe he has seen your mittens."
Peter and the three kittens thanked the pigs and said good-bye.Then off they went.
「你們應該問問漢仆.達譜，」三隻小豬建議。「他坐在他家的很高的牆上讓他能看見每件事情。也許他看見了你們的拳擊手套。」
Before long,they came to a very high wall with a strange,little man sitting on top.
"Excuse me,"said Peter Cottontail,"Are you Humpty Dumpty?"
"Yes,I am,"said the man,"How can I help you?"
不久，他們來到一堵非常高的牆面前，一個陌生的，很小的人坐在牆上。
「對不起，」皮特說，「你是漢仆.達譜嗎？」
「是的，」那個人說，「我能幫助你們嗎？」
Once again,the three little kitten* **plained how they lost their mittens.And they became so sad that again they began to cry.
"Do not cry,little kittens,"said Humpty Dumpty."This morning I saw three little kittens hide their mittens in the tall grass next to the Babbling Brook."
The three litten kittens began to dance and sing.
"Now we remember!Thank you,thank you!"they cheered.
三隻小貓把怎麼丟失拳擊手套的事又解釋了一遍。他們如此地傷心以致他們哭了。
「不要哭，小貓，」漢仆.達譜說，「今天早上我看見三隻小貓在胡說河邊的高草中藏他們的拳擊手套。」
三隻小貓開始又跳又唱。
「現在我們記得了！謝謝你，謝謝你！」他們歡呼。

Peter was very happy to have helped the kittens.But suddenly he remembered about Easter.
"Oh no!"he cried."It is almost Easter and I haven't hidden any eggs yet!What will I do?"
皮特很高興幫助了小貓。但是突然他記得了復活節。
「哦，不！」他喊，「幾乎到了復活節了，我還沒有將蛋藏好呢！我該怎麼辦呢？」
"Don't worry."said the three little kittens."You have seen that we are good at hiding things.We will help you hide the eggs."
Peter accepted their help and off everyone rushed,with Peter hopping big-bunny hops and the kittens racing along to keep up.
「不要害怕。」三隻小貓說。「你看見了我們擅長藏東西。我們將幫助你來藏蛋。」
皮特接受了他們的幫助，每個人跑起來，皮特跳著大兔步，小貓們在後面奔跑著追趕。
By Easter morning,everything was finished.Best of all,none of the eggs had broken.So Peter gave the three extra eggs to the three little kittens as thanks for all their help.
到了復活節早上，每件事都完成了。最好的是，沒有一個蛋被弄破。所以皮特將三個多餘的蛋送給了三隻小貓作為對他們的幫助的感謝。

❽ 小說用英語怎麼說

1、Novel，英[ˈnɒvl]， 美[ˈnɑ:vl]。長篇小說，新法，附律。新奇的，異常的。

2、Novel近義詞fiction和story。

3、Sheldon writes every day of the week, dictating his novels in the morning.謝爾登一周七天都要寫作，每天上午口述小說讓別人記錄。

4、Both her novels won prizes.她的兩部小說都獲了獎。

5、Novel是長篇小說，story是短篇小說，fiction是小說的總稱。

(8)短篇小說英文怎麼說擴展閱讀

1、Dickens 'novels have enriched English literature.狄更斯的小說豐富了英國文學。

2、She is a prolific writer of novels and short stories.她是一位多產的作家，寫了很多小說和短篇故事。

3、His works are included in this anthology of stories.這本小說集收錄了他的作品。

4、The novel portrays the growth of a fighter.這本小說描寫了一個戰士的成長。

5、Sara and I read the story and marveled.我和薩拉讀了這部小說後驚嘆不已。

6、This novel has been made into a film.這部小說已拍成電影了。

❾ 英語短篇小說

英語短篇小說

Appointment With Love --By Sulamith Ish-Kishor

Six minutes to six, said the great round clock over the information booth in Grand Central Station. The tall young Army lieutenant who had just come from the direction of the tracks lifted his sunburned face, and his eyes narrowed to note the exact time. His heart was pounding with a beat that shocked him because he could not control it. In six minutes, he would see the woman who had filled such a special place in his life for the past 13 months, the woman he had never seen, yet whose written words had been with him and sustained him unfailingly.
He placed himself as close as he could to the information booth, just beyond the ring of people besieging the clerks...
Lieutenant Blandford remembered one night in particular, the worst of the fighting, when his plane had been caught in the midst of a pack of Zeros. He had seen the grinning face of one of the enemy pilots.
In one of his letters, he had confessed to her that he often felt fear, and only a few days before this battle, he had received her answer: "Of course you fear...all brave men do. Didn't King David know fear? That's why he wrote the 23rd Psalm. Next time you doubt yourself, I want you to hear my voice reciting to you: 'Yea, though I walk through the valley of the shadow of death, I shall fear no evil, for Thou art with me.'" And he had remembered; he had heard her imagined voice, and it had renewed his strength and skill.
Now he was going to hear her real voice. Four minutes to six. His face grew sharp.
Under the immense, starred roof, people were walking fast, like threads of color being woven into a gray web. A girl passed close to him, and Lieutenant Blandford started. She was wearing a red flower in her suit lapel, but it was a crimson sweet pea, not the little red rose they had agreed upon. Besides, this girl was too young, about 18, whereas Hollis Meynell had frankly told him she was 30. "Well, what of it?" he had answered. "I'm 32." He was 29.
His mind went back to that book - the book the Lord Himself must have put into his hands out of the hundreds of Army library books sent to the Florida training camp. Of Human Bondage, it was; and throughout the book were notes in a woman's writing. He had always hated that writing-in habit, but these remarks were different. He had never believed that a woman could see into a man's heart so tenderly, so understandingly. Her name was on the bookplate: Hollis Meynell. He had got hold of a New York City telephone book and found her address. He had written, she had answered. Next day he had been shipped out, but they had gone on writing.
For 13 months, she had faithfully replied, and more than replied. When his letters did not arrive she wrote anyway, and now he believed he loved her, and she loved him.
But she had refused all his pleas to send him her photograph. That seemed rather bad, of course. But she had explained: "If your feeling for me has any reality, any honest basis, what I look like won't matter. Suppose I'm beautiful. I'd always be haunted by the feeling that you had been taking a chance on just that, and that kind of love would disgust me. Suppose I'm plain (and you must admit that this is more likely). Then I'd always fear that you were going on writing to me only because you were lonely and had no one else. No, don't ask for my picture. When you come to New York, you shall see me and then you shall make your decision. Remember, both of us are free to stop or to go on after that - whichever we choose..."
One minute to six - Lieutenant Blandford's heart leaped higher than his plane had ever done.
A young woman was coming toward him. Her figure was long and slim; her blond hair lay back in curls from her delicate ears. Her eyes were blue as flowers, her lips and chin had a gentle firmness. In her pale green suit, she was like springtime come alive.
He started toward her, entirely forgetting to notice that she was wearing no rose, and as he moved, a small, provocative smile curved her lips.
"Going my way, soldier?" she murmured.
Uncontrollably, he made one step closer to her. Then he saw Hollis Meynell.
She was standing almost directly behind the girl, a woman well past 40, her graying hair tucked under a worn hat. She was more than plump; her thick-ankled feet were thrust into low-heeled shoes. But she wore a red rose in the rumpled lapel of her brown coat.
The girl in the green suit was walking quickly away.
Blandford felt as though he were being split in two, so keen was his desire to follow the girl, yet so deep was his longing for the woman whose spirit had truly companioned and upheld his own; and there she stood. Her pale, plump face was gentle and sensible; he could see that now. Her gray eyes had a warm, kindly twinkle.
Lieutenant Blandford did not hesitate. His fingers gripped the small worn, blue leather of Of Human Bondage, which was to identify him to her. This would not be love, but it would be something precious, something perhaps even rarer than love - a friendship for which he had been and must ever be grateful.
He squared his broad shoulders, saluted and held the book out toward the woman, although even while he spoke he felt shocked by the bitterness of his disappointment.
"I'm Lieutenant John Blandford, and you - you are Miss Meynell. I'm so glad you could meet me. May...may I take you to dinner?"
The woman's face broadened in a tolerant smile. "I don't know what this is all about, son," she answered. "That young lady in the green suit - the one who just went by - begged me to wear this rose on my coat. And she said that if you asked me to go out with you, I should tell you that she's waiting for you in that big restaurant across the street. She said it was some kind of a test. I've got two boys with Uncle Sam myself, so I didn't mind to oblige you."

❿ 歐亨利短篇小說 英文

O. Henry stories are famous for their surprise endings. He was called the American Guy De Maupassant. Both authors wrote twist endings, but O. Henry stories were much more playful and optimistic.

Most of O. Henry's stories are set in his own time, the early years of the 20th century. Many take place in New York City, and deal for the most part with ordinary people: clerks, policemen, waitresses. His stories are also well known for witty narration.

Fundamentally a proct of his time, O. Henry's work provides one of the best English examples of catching the entire flavor of an age. Whether roaming the cattle-lands of Texas, exploring the art of the "gentle grafter", or investigating the tensions of class and wealth in turn-of-the-century New York, O. Henry had an inimitable hand for isolating some element of society and describing it with an incredible economy and grace of language. Some of his best and least-known work resides in the collection Cabbages and Kings, a series of stories which each explore some indivial aspect of life in a paralytically sleepy Central American town while each advancing some aspect of the larger plot and relating back one to another in a complex structure which slowly explicates its own background even as it painstakingly erects a town which is one of the most detailed literary creations of the period.

The Four Million (a collection of stories) opens with a reference to Ward McAllister's "assertion that there were only 'Four Hundred' people in New York City who were really worth noticing. But a wiser man has arisen— census taker—and his larger estimate of human interest has been preferred in marking out the field of these little stories of the 'Four Million'". To O. Henry, everyone in New York counted. He had an obvious affection for the city, which he called "Bagdad-on-the-Subway,"[1] and many of his stories are set there—but others are set in small towns and in other cities.
"A Municipal Report" opens by quoting Frank Norris: "Fancy a novel about Chicago or Buffalo, let us say, or Nashville, Tennessee! There are just three big cities in the United States that are 'story cities'—New York, of course, New Orleans, and, best of the lot, San Francisco." Thumbing his nose at Norris, O. Henry sets the story in Nashville.
"The Gift of the Magi" concerns a young couple who are short of money but desperately want to buy each other Christmas gifts. Unbeknownst to Jim, Della sells her most valuable possession, her beautiful hair, in order to buy a platinum fob chain for Jim's watch; unbeknownst to Della, Jim sells his most valuable possession, his watch, to buy jeweled combs for Della's hair. The essential premise of this story has been copied, re-worked, parodied, and otherwise re-told countless times in the century since it was written.
"The Ransom of Red Chief" concerns two men who kidnap a boy of ten. The boy turns out to be so bratty and obnoxious that the desperate men ultimately pay the boy's father two hundred and fifty dollars to take him back.
"The Cop and the Anthem" concerns a New York City hobo named Soapy, who sets out to get arrested so he can spend the cold winter as a guest of the city jail. Despite efforts at petty theft, vandalism, disorderly conct, and "mashing", Soapy fails to draw the attention of the police. Disconsolate, he pauses in front of a church, where an organ anthem inspires him to clean up his life—whereupon he is promptly arrested for loitering.
"A Retrieved Reformation" has safecracker Jimmy Valentine take a job in a small-town bank in order to case it for a planned robbery. Unexpectedly, he falls in love with the banker's daughter, and decides to go straight. Just as he's about to leave to deliver his specialized tools to an old associate, a lawman who recognizes him arrives at the bank, and a child locks herself in the airtight vault. Knowing it will seal his fate, Valentine cracks open the safe to rescue the child—and the lawman lets him go.
"Compliments of the Season" describes several characters' misadventures ring Christmas .

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