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其实已经来很久没有一个人安自下心来听听音乐了。 晚上打电话给柏叔，聊聊现在，也聊到过去和将来。我们用一种审视的口吻谈起以前的事情，仿佛已经过去了很久。无论如何，我怀念那些平淡的人和事。 夜深了，风吹得很冷。汪峰唱着。 人是不是就应该活得这么自我，感受不到所谓无关的世界，每天为琐事耗尽了精力。 我不知道《乞力马扎罗的雪》中，带走哈利灵魂是不是那条在黑夜中徘徊的鬣狗。 哈利最后梦见自己坐上了朋友的飞机，看着非洲草原上奔跑的兽群，我想他知道死亡已是过去。 那个令自己恶心而无力回避的灵魂，终于得以自由。尸体旁，海伦哭得很伤心，其实只是为自己而哭。 有的时候，人们口中的爱，只是自说自话的氛围，承载的只是自以为最美好的泡沫。面对它，看到的是自己的孤独和胆怯。 哈利已经无法感知伤病的痛觉，一阵阵梦境像是和自己告别，而不是世界。 以那只死去却在雪山永生的豹子开头，那只在黑夜徘徊却象征着死亡的鬣狗为结尾，大概是美国硬汉给我们的最好提示。 “任何东西我都不愿留下来，”男人说。“我不愿意有什么东西在我身后留下来。”

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Considered by Hemingway himself to be one of his finest stories, "The Snows of Kilimanjaro" was first published in Esquire in 1936 and then republished in The Fifth Column and the First Forty-nine Stories (1938).
The story centers on the memories of a writer named Harry who is on safari in Africa. He develops an infected wound from a thorn puncture, and lies awaiting his slow death. This loss of physical capability causes him to look inside himself— his memories of the past years, and how little he has actually accomplished in his writing. He realizes that although he has seen and experienced many wonderful and astonishing things ring his life, he had never made a record of the events; his status as a writer is contradicted by his reluctance to actually write. He also quarrels with the woman with him, blaming her for his living decadently and forgetting his failure to write of what really matters to him, namely his experiences among poor and "interesting" people, not the predictable upper class crowd he has fallen in with lately. Thus he dies, having lived through so much and yet having lived only for the moment, with no regard to the future. In a dream he sees a plane coming to get him and take him to the top of Mount Kilimanjaro.

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望采纳，谢谢！